Čitam po netu da se dosta ljudi žali kako im smeta čudno editovanje u prvoj epizodi i kako je naporno za gledanje, pa evo jedan interesantan deo koji je Ryan Murphy dao za Entertainment Weekly.
EW: To me the editing and the energy felt very different to me. It almost feels like it’s supposed to keep you off-balance, like you don’t know what you’re seeing. Is that what you were going for?
RM: When Brad and I did season 1, it was definitely influenced by masters like [Stanley] Kubrick. This year the thing that I was really obsessed with is I was really influenced by DePalma, who I think is a brilliant filmmaker, who I really feel like never gets his just desserts. It’s time for a Brian DePalma resurgence. So I was very into the filming style of DePalma’s works, specifically Dressed to Kill and Carrie. There’s a lot of slow motion, there’s a lot of languid filmmaking. In the first episode, as a tribute to Brian, we actually used two big pieces from Carrie’s score. So the same can be said of DePalma’s work which is very fever dream. Look at that last scene of Carrie—was it real? Was it a dream? So yes it was very influenced by his work particularly. Also it was very influenced by [Dario] Argento. The other great thing about it is Brad Buecker, who edited all the shows last year, who’s my right hand man, is also a brilliant director. The first two were edited and directed by Brad. It’s very interesting when an editor directs. It’s much more I think a psychological thriller as well.
